She then wrote “The Nine Lives of Chloe King” series as Liz Braswell. “Snow” was a twist of the original “Snow White” story. Writing under the pseudonym of Tracy Lynn, she finally wrote her first novel in 2003. ![]() Braswell has always loved reading and writing and thought of becoming an author as an adult. Once she graduated, she got a job producing video games, a job that she held for the better part of a decade. She went to Brown University where she graduated with a degree in Egyptology. Liz Braswell who has written about half of the titles in the series had the typical introverted childhood that most authors have. The interactive Twisted Tales web playground hosts six (6) webisodes, apps, educational games, and activities for kids, families, and educators for narrative immersion and deeper engagement/understanding of a topic.Elizabeth Lim, Liz Braswell, and Jen Calonita came together to write “The Twisted tales,” a retelling of classic Disney movies with a twist. The AR exhibition targets kids from 6 – 10 years, as well as families, to actively participate in the presented topic. Visitors, or rather co-creators, are able able to explore gigantic sculptures of a castle, garden, house, animated clips from Twisted Tales episodes, and to add their own AR drawings, thus becoming storytellers in their own right. The educational story apps target 6-8 year olds, yet use appropriate language to attract even younger kids. Six (6) x apps are thus attached to the webseries’ storylines and characters. With the educational story apps, we want to get children and parents to really think about what it means to be disabled, and to educate them on the challenges that those with disabilities face in a manner that will be fun and gamified. The series targets 6-8-year-olds, yet uses app ropriate language for both younger and older kids. Each reimagined fairy tale is a lesson of empathy, love, and understanding. The first TV series season is composed of six (6) webisodes and 20 new retellings of well-known stories introducing different stigmas into the narrative. They act as a vehicle to build an audience and increase interest in what is to come next – Twisted Tales Universe. ![]() T he webseries is composed of six (6) episodes, each 12 minutes long, offering an empowering perspective on the well-known story of a fairy tale by introducing a stigma into the narrative. The Twisted Tale s entertainment and teaching universe is built out of: Different mediums and tactics are used to embrace the largest audience possible, assure visibility, accessibility, and participation. Twisted Tales balances broadly appealing stories and their style with roots in empathy, love, and critical life lessons. Both those who witness someone being stigmatised and those who have suffered from being stigmatised will be able to recognise first the stigma and its harmful effect, and secondly, they will be shown ways of overcoming the stigma (from within as well as socially). ![]() Social status stigma is problematised in the re-imagined Midas Touch, our Golden Touch, while gender identity stigma becomes the subject of The Princess and the Real Frog ( The Princess and the Frog ).īy presenting the stigma within the familiar narrative of the fairy tale, we raise the awareness for the stigma in question and educate children on how to ‘de-stigmatise’. Mental disability is explored in the new version of Rapunzel called Real Punze l, and racial stigma is woven into the story of The Not So Ugly Duckling (our take on The Ugly Duckling ). Sexual stigma is told through the story of Sleeping Girl (our take on Sleeping Beauty ). Cinda Real offers a new and empowering perspective on the well-known story by introducing the stigma of physical disability into the narrative. The first tale in the Twisted Tale s series is Cinda Real (our take on Cinderella ), a story about a girl who is stigmatised for having only one leg, and her intention to come to a dance “just to dance”. Each fairy tale episode is a stand-alone story, a retelling of a familiar fairy tale through the prism of a stigma. Through a selection of fairy tales, our intent is to tackle different stigmas.
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